Beatles FAQ

I moved in with my auntie who lived in the suburbs in a nice semi-detached place with a small garden and doctors and lawyers and that ilk living around... not the poor slummy kind of image that was projected in all the Beatles stories. In the class system, it was about half a class higher than Paul, George and Ringo, who lived in government-subsidized housing. We owned our house and had a garden. They didn't have anything like that .   Playboy Interview with John Lennon and Yoko Ono: Published in January 1981  10 Admiral Grove where Ringo grew up - now owned by National Trust In fact Ringo was at least 'half a class' lower than Paul and George and did not live in social housing or what the British call a council house.  Dingle was one of the poorest areas of Liverpool and the Starkeys paid ten shillings (£0.50p) a week to a private landlord for 10 Admiral Grove, a terraced house without a bathroom or indoor toilet. It is also interesting that John uses the word...

The songwriters in surprisingly small writing How did Lennon & McCartney end up writing I Wanna be your Man for the Rolling Stones? There are at least three different versions of what happened.

The 'Paul is Dead' conspiracy was fuelled by supposed clues hidden in the recordings I told you about strawberry fields ... You know the place where nothing is real...Well here's another clue for you all ... The walrus was Paul.

 It’s a throwaway, a piece of garbage...from a Kellogg’s cereal commercial. I always had the TV on very low in the background when I was writing and it came over ...{ i n this } song .  During his Weybridge years, John Lennon was a British version of Benjamin Braddock in  The Graduate  (1967). Though extraordinarily privileged in material terms he felt alienated: a rich, successful young man angry at the suburban world he found himself in. This anger was largely expressed through petty acts of passive aggression against those surrounding him.   In the conventional Beatles narrative, John Lennon was the wild man, with an artistic bent and a taste for the avant garde.  Paul, in contrast, was the son-in-law choice: cute, sensible and with the common touch.  In reality, the roles were reversed. McCartney spent his Beatle downtime careering around  Swinging London in his Mini Cooper, the pop world's Toad of Toad Hall. He was a fixture of the hip c...

Photo by Saubhagya gandharv on Unsplash George Harrison’s first serious attempt at an ‘Indian’ composition had the unpromising working title of “Granny Smith”. George revealed his 'difficulty with words' in an interview with Maureen Cleave for the London Evening Standard in February 1966. He wishes he could write fine songs as Lennon and McCartney do, but he has difficulty with the words. “Pattie keeps asking me to write more beautiful words,” he said. He played his newest composition… ’Love me while you can: before I’m a dead old man…’ George was aware that these words were not beautiful. Evening Standard readers may have had the impression that “Love You To” was a love song celebrating George’s recent marriage to new Pattie (Boyd). The couple had, after all, just returned from honeymoon in the (then) impossibly glamorous Barbados. Perhaps more pertinent, however, was another Maureen Cleave’s observation from the same interview. Indian music and culture, she noted, “has give...

Indian restaurant scene from Help! (1965 The first time George Harrison saw a sitar was on the set of Help in April 1965. A group of Indian musicians had been recruited to add an authentic Indian ambience to the restaurant scene. They played a  a Beatles medley ('Another Hard Day’s Night')   using  sitar, flute, tabla, ghunghroo and tanpura.  These session musicians performing Beatles songs in an Indian style were also being employed for comic effect but to his surprise, Harrison found himself entranced by the sound. ‘George was fascinated by the instruments they used,’ John Lennon later reported. He wanted to hear more and over the next few months Harrison began researching traditional Indian music.  Ravi Shankar The Beatles guitarist discussed his new interest with David Crosby, who toured the UK with The Byrds in August 1965. Crosby told him about Ravi Shankar, then virtually unknown outside India. Crosby also lent Harrison a Shankar LP that he ‘carried in hi...

  Mount Pleasant Registry Office, Liverpool. August 23rd 1962

We were the best live band in the world before we were famous. Nobody could touch us  John Lennon.

  The Beatles first flew into New York in February 1964. They had what to many American ears was a charmingly fresh approach to the  English language.  Interestingly, this came across more in their spoken interviews than their lyrics. Early Beatles songs consciously followed the established 'American' style: 'I Wanna Be Your Man'. In fact 'I want to hold your hand' arose from a direct request from Brian Epstein for a single tailored to the US market.  Atlantic Crossing Success gave The Beatles to licence (or license!) to 'act naturally' as their song put it.  They were influenced by Dylan's looser 'freewheeling' approach but could not draw on the same Americana heritage, even at one remove. We now know that Dylan was not a former f reight-train riding  hobo but he looked the part. Part of the appeal of The Beatles was that they loved America but clearly did not come from it. Made in Britain On occasion Paul McCartney did write in a directly A...