Beatles FAQ

  "one of the Beatles most dispensable items". [8] Run for Your Life’ I always hated ... John Lennon Lennon Remembers (1971

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People always ask us how we sit down and write a song. Well, first we sit down. Then we write a song. 

  John Lennon and Paul McCartney wrote a large number of songs in their teens - up to 200 according to some estimates. Many disappeared without trace - a Wimpole Street spring clean by Jane Asher put paid to a pile written on scrap paper.  Others, like Lennon's  'Hello Little Girl' f eatured in their live act but were then given to other artists to cover. These were generally off-cuts not deemed quite up to scratch, though arguably some like   'World Without Love ' and ' Love of the Loved'  deserved a seat at the top table.  Songs revived and recorded By  Beatles For Sale  Lennon & McCartney were exhausted and running out of new material. At this point Paul revisited  'I'll Follow the Sun'  which he had written in the year following his mother's death. “I wrote that in my front parlour in Forthlin Road,” McCartney told Mark Lewishon. “I remember standing in the parlour, with my guitar, looking out through the lace curtains of the window,

'a combination of Roy Orbison and Bing Crosby' with improvements via George Martin

Was Please Please Me The Beatles first UK Number One? At the end of the lengthy recording session for the single version of Please Please Me  George Martin turned to The Beatles and said, 'Gentlemen, you have your first Number One!' George was rarely wrong about anything but in this case the jury is still out. 

Tamla Motown was a key influence on the early Beatles sound.  They covered Tamla tracks like PLEASE MR POSTMAN and wrote songs in a similar style. THIS BOY (1963) for example is what George Harrison called 'John doing Smokey'. GOT TO GET YOU INTO MY LIFE (1966) is a later homage, first released on Revolver. It is one  of Paul McCartney's most joyful and exuberant compositions, and perhaps The Beatles most danceable recordings. Even the hard-to-please Mr Lennon hailed it 'as on of Paul's best songs.  Early studio versions, however, lacked energy and punch.  It was the introduction of Memphis Stax-style horns that gave the song a new drive.  Earth, Wind and Fire pick up on this dynamism in their 1978 cover. They give it the song treatment, amplifying the horns and harmonies in an exhilarating arrangement. Memphis or Haight Ashbury Wisely, they do not draw attention to the writer's revelation that the 'she' in the lyric is marijuana. "It's actual

'Verse 1' consists of  the chorus from SPLHCB Sgt. Pepper's Lonely Hearts Club Band   opens with the title track that establishes the concept (a reunion concert for the eponymous group). Crowd noise blends the sound of orchestral   musicians tuning-up to create the illusion of a live performance.  The song climaxes with the MC (McCartney) introducing 'the one and only Billy Shears' and the single chorus builds to a crescendo. Concept Arguably, the band reunion concept begins to fade at this point. Later Lennon would dismissively describe the album as 'a bunch of mainly Paul's songs'. This may be harsh but it was apparent during recording that the concept was not really sustained.  The Beatles road manager, Neil Aspinall, pointed  out that the fictional band appeared to disappear after the opening track. He suggested that listener needed to be reminded of the live performance on side two. The result was the penultimate track  " Sgt. Pepper's Lone

Photo by  Fleur  on  Unsplash In March 1967 John and Paul were under pressure to produce the final tracks for Sergeant Pepper. They decided to have what would now be called a brainstorming session at John's house. According to Hunter Davies, this was a bewilderingly casual event in which they spent much of the time flicking through magazines. From time to time they would sing out phrases or pick out bits of tunes at the piano. Ian Macdonald speculates that there was some method at work in that 'both writers 'found inspiration in moments where their conscious minds had fallen into abeyance.' Whatever the strategy, it worked.  By the end of the day McCartney had a new song, 'The Fool on the Hill'. Lennon, meanwhile, plugged away at the chords to a tune with the working title Badfinger Boogie.  This reflection on on a minor injury would eventually became better known as 'With a Little Help From My Friends'

There is no published photo of the Queen with The Beatles, only with her mother and sister (seen here) T he shortest Beatles song   is only 23 seconds long and was unlisted on its original vinyl release. 

Which song did The Beatles sing on the first worldwide satellite broadcast? How many records have the Beatles sold? 

Saturday. "Friday Night arrives without a suitcase/Sunday morning creeping like a nun." Perhaps its part of that eight-day-week the Beatles introduced. Lady Madonna was McCartney's 'come-back' single after critics savaged Magical Mystery Tour. Musically, it's an impressive response, the boogiewoogie piano and handclaps combining to create an infectious driving sound.  Lyrically, it is less successful. The title was inspired by a magazine photograph of an African mother and child captioned Mountain Madonna. This image immediately runs into trouble with a very British reference to paying the rent. Then it turns bizarrely accusatory ('Did you think that money was heaven sent?') before losing all coherence in what Ian MacDonald calls 'acid tinged unreality'.  Macdonald particularly disapproves of the 'pointless allusion to I Am the Walrus' suggesting that this 'wanton self-mythologising ... in the context of the developing 'Pa

  'Words are pouring out like endless rain into a paper cup' In 1970 John Lennon gave a series of confessional interviews to Rolling Stone Magazine. Rather ungallantly, he revealed the source of the opening line of Across the Universe as a scolding from his then wife Cynthia in 1967.  I was lying next to my first wife in bed ... and I was irritated. and I was thinking. She must have been going on and on about something and she'd gone to sleep and I kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into a sort of cosmic song rather than an irritated song, rather than a "Why are you always mouthing off at me?"... [The words] were purely inspirational and were given to me as boom!   The tune also appears to arrived in an unusual way.  Hunter Davies recalls that he was walking (in silence) with John around the garden of his Weybridge mansion.  Suddenly they heard the sound of a siren from passing police car

The Beatles first flew into New York in February 1964 to find an adoring new audience. To American ears their new music came with a charmingly fresh approach to the  English language.  Interestingly, this initially came across more in their spoken interviews than their song lyrics - the early ones followed the established 'American' style ('I want to hold your hand'). But success gave them the confidence to draw on British cultural and linguistic references. Many were unknown to most American listeners. the  National Health Service  (from ‘Dr Robert’) or the  News of the World  (‘Polythene Pam’), and British English vocabulary like ‘ ring  my friend’ (‘Dr Robert’ again: Americans would say  call ), ‘time for  tea ’ (‘Good Morning, Good Morning’: see sense 3  here ), and  dressing gown  (‘She’s Leaving Home’ – it’s a  bathrobe  in American English). Not to mention those  plasticine  porters in ‘Lucy in the Sky with Diamonds’ – the American equivalent  Play-Doh  does