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First pop record using only Indian instruments?

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Photo by Saubhagya gandharv on Unsplash George Harrison’s first serious attempt at an ‘Indian’ composition had the unpromising working title of “Granny Smith”. George revealed his 'difficulty with words' in an interview with Maureen Cleave for the London Evening Standard in February 1966. He wishes he could write fine songs as Lennon and McCartney do, but he has difficulty with the words. “Pattie keeps asking me to write more beautiful words,” he said. He played his newest composition… ’Love me while you can: before I’m a dead old man…’ George was aware that these words were not beautiful. Evening Standard readers may have had the impression that “Love You To” was a love song celebrating George’s recent marriage to new Pattie (Boyd). The couple had, after all, just returned from honeymoon in the (then) impossibly glamorous Barbados. Perhaps more pertinent, however, was another Maureen Cleave’s observation from the same interview. Indian music and culture, she noted, “has give...

When do we first hear an Indian influence on a Beatles record?

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In June 1966 the great Indian musician Ravi Shankar visited George Harrison at his Surrey home - and played for the assembled Beatles. Two months later they recorded George's composition I WANT TO TELL YOU.  Harrison later explained that the song expressed 'an avalanche of thoughts that are so hard to write down or say' and Ian Macdonald spots the 'underlying Hindi outlook in the lyric - a karmic reference to time in the final lines ... confirmed by a descending melisma in the fade out'.  Neil Innes - who later collaborated with George Harrison on the celebrated Beatles spoof mockumentary  The Rutles   - happened to be in Abbey Road Studio as they were recording. He tells the story here: