Beatles FAQ

Sefton Park where Julia & Alf Lennon first met

  Ringo's first instrument was  a toy drum - given to him by a visiting nurse while he was in hospital during a childhood illness.

"Nobody wanted to play bass in those days."

Tabla - traditional Indian instrument

Was Please Please Me The Beatles first UK Number One? At the end of the lengthy recording session for the single version of Please Please Me  George Martin turned to The Beatles and said, 'Gentlemen, you have your first Number One!' George was rarely wrong about anything but in this case the jury is still out. 

    The Beatles first flew into New York in February 1964. They had what to many American ears was a charmingly fresh approach to the  English language.  Interestingly, this came across more in their spoken interviews than their lyrics. Early Beatles songs consciously followed the established 'American' style: 'I Wanna Be Your Man'.  In fact 'I want to hold your hand' (sung wanna)  arose from a direct request from Brian Epstein for a single tailored to the US market.  Atlantic Crossing Success gave The Beatles to licence (or license!) to 'Act Naturally' as Ringo sings. By the mid-Sixties British cultural and linguistic references permeate their song lyrics. Here are a small selection:  '...crawled off to sleep in the bath' ( from Norwegian Wood). This refers directly to the bathtub rather than the room. the (UK)  National Health Service  (from ‘Dr Robert’)  '...the  News of the World  (newspaper notorious for sex sca...

Real fans chase The Beatles around London's Marylebone Railway Station in the opening of A Hard Day's Night. This is meant to be Lime Street Station in Liverpool - but the script was in fact inspired by the first 'Beatlemania riot' in Dublin on 7 November, 1963 . Read full story on Medium (free - 3 mins)

Photo by  Nick Fewings  on  Unsplash Paul :   What I think… the main thing is this: You have always been boss. Now, I’ve been sort of secondary boss.” John :  Not always. Paul : No, listen. Listen. No, always. From the secretly recorded conversation in The Beatles: Get Back (2021) John Lennon began what became The Beatles - Paul and George joined his band when all three were teenagers. That is what Paul is referring to in the documentary. Whether John remained 'the boss' through to the end is a more open question.  Read more  (free)

'Love Me Do' is Paul's song. He wrote it when he was a teenager. Let me think. I might have helped on the middle eight, but I couldn't swear to it. I do know he had the song around, in Hamburg, even, way, way before we were songwriters"  John Lennon in David Sheff's : All We Are Saying). [8]   For their first single, George Martin wanted The Beatles to record a promising song by Mitch Murray, a young British songwriter.   I was convinced that How Do You Do It was a hit song. Not a great piece of songwriting, not the most marvellous song I had ever heard in my life, but I thought it had that essential ingredient which would appeal to a lot of people.   The boys stubbornly refused, 'We couldn't sing that in Liverpool,' they told him. 'We want to record one of our own songs.' Reluctantly, Martin allowed them to record LOVE ME DO - the song he considered the best of a bad bunch.   Read full story (free) on Medium (3 minutes)

The Beatles collect their MBEs - contrary to myth they were  thrilled to get them Paul McCartney has often expressed his admiration for Queen Elizabeth, who came to power five years before he joined The Quarrymen.  We all kind of liked the Queen. It’s an age thing. We were kids when she was crowned, so to us she was like a glamorous film star. We identified with her. She’s ours. She’s the Queen.   Interview with the Radio Times, September 2019 The Beatles with Princess Margaret. The four Beatles tracks which mention the late Queen Elizabeth II are:  Penny Lane For You Blue Mean Mr Mustard Her Majesty Read more  (free) Free Beatles Teaching Materials

The Beatles recorded four songs in German, though only two were officially released. 

Pete Best was The Beatles drummer from August 1960 until August 1962. He was with them in Hamburg and at their first Abbey Road recording session. He played an important role in establishing The Beatles popularity in Hamburg and Liverpool, but had a slightly distant relationship with the others. By the summer of 1962 the other Beatles were plotting against him. Using the pretext that George Martin had rejected his drumming as sub-standard they approached Ringo Starr, an old friend of the band from Hamburg.  Read the full story behind the sacking of Best (free on Medium 6 mins) The Beatles: free teaching materials

Paul soon abandoned the trumpet

There have several thousand covers of Beatles songs but a short list of those which work well. Twist my arm and I’d go for George Benson’s interpretation of Golden Slumbers   from his extraordinary The Other Side of Abbey Road (1971) Benson was a young jazz guitar prodigy at a time when the form appeared to have hit the buffers. To purists, his attempt to take on The Beatles was the first in long series of contemptible sellouts. His musical peers saw it differently, with Herbie Hancock, Freddie Hubbard, and Sonny Fortune all contributing to what was essentially a new take on the a tradition pioneered by the Ella Fitzgerald Songbooks. Golden Slumbers is a highlight that draws on the unusual genesis of the original. This was famously inspired by  Paul McCartney coming across his step-sister's sheet music for a piece called Cradle Music left on the piano at his father's house in Liverpool. Intrigued, but unable to read the 'black dots on the page' Paul invented a melody an...

Many of the best Beatles songs start and/or finish with a bang: the opening chord or A HARD DAY'S NIGHT, for example. The opening of A DAY IN THE LIFE is unusually muted in this respect, perhaps indicating shift into more subtle musical territory.  Where A DAY IN THE LIFE delivers its knockout blow is in its finale. Originally recorded as a modest  hummed  E Major vocal chord, it evolved into what Jonathan Gould describes as:  "a forty-second meditation on finality that leaves each member of the audience listening with a new kind of attention and awareness to the sound of nothing at all". [66] ByTom Swain www.tomswain.com CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=11750716 This was achieved using absurdly primitive technology in today's term. Lennon, McCartney, Evans and Martin played the chord on three pianos. Each was then multi-tracked four times. For the final chord of  A DAY IN THE LIFE  Lennon had asked George Martin for a  'a ...

 Outside the Southern Cross Hotel in Melbourne, June 1964. An estimated 300,000 greeted The Beatles in Melbourne in June 1964. The Queen had only attracted half that number the preceding year. Aussie Beatlemania was particularly intense for the Melbourne stop because it marked the return of Ringo.  The drummer had been hospitalised a few days before  the start of the tour. This had caused consternation amongst Beatle fans, but now he was climbing off his sickbed in London to join his buddies down under. It proved a difficult journey.  The flight was horrendous... It’s... a hell of a long way. I remember the plane felt like a disaster area to me. Fans  clearly thought the effort worthwhile. Replacement drummer, Jimmy Nichol was less thrilled. He was sent back to London and obscurity, after a few weeks in the celebrity sun - read more .

Photo by  Daniel Cheung  on  Unsplash ‘I hate it!’ John Lennon. ‘The worst session ever’ Ringo Starr “If any single recording shows why The Beatles broke up, it’s ‘Maxwell’s Silver Hammer’.” Ian MacDonald The Revolution in the Head  “They got annoyed because Maxwell’s Silver Hammer took three days to record. Big deal.” Paul McCartney.   Read More What inspired Maxwell's Silver Hammer? 

Photo by  Fleur  on  Unsplash In March 1967 John and Paul were under pressure to produce the final tracks for Sergeant Pepper. They decided to have what would now be called a brainstorming session at John's house. According to Hunter Davies, this was a bewilderingly casual event in which they spent much of the time flicking through magazines. From time to time they would sing out phrases or pick out bits of tunes at the piano. Ian Macdonald speculates that there was some method at work in that 'both writers 'found inspiration in moments where their conscious minds had fallen into abeyance.' Whatever the strategy, it worked.  By the end of the day McCartney had a new song, 'The Fool on the Hill'. Lennon, meanwhile, plugged away at the chords to a tune with the working title Badfinger Boogie.  This reflection on on a minor injury would eventually became better known as 'With a Little Help From My Friends'

  "I played a lot of harmonica & mouth organ when I was a child. We used to take in students and one of them had a mouth organ and said he’d buy me one if I could learn a tune by the next morning. So I learnt two." John Lennon John Lennon Remembers In 1947 Aunt Mimi began an arrangement with Liverpool University to take in students as lodger. One of these young men was Harold Phillips, who was resuming his studies after serving in the Royal Navy. The seven-year-old John was fascinated by a harmonica that Phillips possessed. Phillips was amused and offered the boy the chance to keep the 'mouth iron' - as it was known locally.  Harold Phillips kept his word - but Aunt Mimi made John wait until Christmas before taking possession of his first musical instrument. ‘I felt the stocking and there was a mouth organ in it. A harmonica.’ That was one of the great moments of my life, when I got my first harmonica’. Interestingly, the harmonica had been played by his father an...