Beatles FAQ

John Lennon was brought up as an only child in practical terms, living with his Aunt Mimi and her husband, George Smith. He had regular contact with two (half) sisters - Julia and Jackie Dykins - named after their father, Bobby Dykin Two half-brothers on the paternal side were born much later: David Henry in 1969 and Robin in 1973 - see here .   Secret  John suspected that he had a 'missing sibling' from an early age. This hunch was perhaps based on overheard family conversations.  In 1964, the now world-famous Beatle, hired private investigators. They found no evidence to support his theory.  It was not until Ingrid (formerly Victoria) Pedersen revealed that she was Julia's third biological daughter. Ingrid's story John's 'secret sibling' came from his mother's short relationship with a Welsh soldier, 'Taffy' Williams, stationed in Liverpool in 1944. During this period, Julia Lennon was a single parent living in rented rooms with her infant...

John Lennon never lived with other children, but he had a total five half siblings. Two of these he never met while a third he only saw on one occasion.  

Freddie Lennon in the mid 1960s

John bore a striking resemblance to his father Alfred Lennon was unmistakably present in his son's physical appearance But he only had a walk-on - or rather walk-off - role in his upbringing.  John would later tell Beatles biographer Hunter Davies "It was like he was dead."

Mimi never formally adopted her nephew. He came under her guardianship following a complex sequence of events. In 1940 Julia Lennon gave birth to John. At the time she was married to the biological father (Alf aka Freddie Lennon) they were effectively separated. In fact they had never had a joint home together. Julia initially brought up her son by alone, working in bars and cafes to support him. In 1945, she had a second child, Victoria. The father, a Welsh soldier, soon disappeared out of the picture. This time Julia put her daughter up for adoption. A suitable home? Towards the end of 1946, Julia further scandalised her family when she took up with John ‘Bobby’ Dykins, a wine steward at the Adelphi Hotel. The couple moved into a tiny flat in which there was literally one bed. Cohabitation outside marriage was still a major taboo but would not in itself have been of interest to the authorities. The couple sharing a bed with a child did raise concerns. Mimi reported these to the socia...

John Lennon  first discovered  The T ibetan Book of the Dead  in  the Indica Bookshop, hang out for London's grooviest tambourine shakers in the mid-60s.  John began to scan the shelves. His eyes soon alighted upon a copy of The Psychedelic Experience, Dr Timothy Leary's psychedelic version of the Tibetan Book of the Dead.  John was delighted and settled down on the settee with the book. Right away, on page 14 in Leary's introduction, he read, 'Whenever in doubt, turn off your mind, relax, float downstream.' He had found the first line of 'Tomorrow Never Knows' .   Many Years From Now  Barry Miles Did Lennon understand what he was singing? Though intellectually curious, Lennon always cheerfully conceded that his research tended to be haphazard.  In  Anthology , George Harrison dismisses Lennon's knowledge of Indian mysticism:  I am not too sure if John actually fully understood what he was saying. He knew he was onto something ...

In 1962 Brian Epstein was the best man hastily arranged wedding of John Lennon and Cynthia Powell in Liverpool. 

  We were first introduced in about 1974 by Elizabeth Taylor. 

Wedding photo

  "one of the Beatles most dispensable items". [8] Run for Your Life’ I always hated ... John Lennon Lennon Remembers (1971

  A special Christmas present

John Lennon was very short-sighted but in his teens refused to wear spectacles in public.

"one of the Beatles most dispensable items". [8] Run for Your Life’, I always hated ... because it was a song I just knocked off Lennon Remembers Few would argue with this assessment. Thomas Ward diplomatically suggests that it is one of the Beatles most dispensable items".[8] while Ian MacDonald is characteristically forthright ('a dismal track'). 'Run for Life' was the first song recorded for what would become Rubber Soul. It was 'knocked off' during a break between the filming of Help and their return to Abbey Road in October 1965. Words One reason Lennon was later embarrassed by the song was what MacDonald calls its 'lazily sexist lyric'. Even allowing for the different social climate, 'you better run for your life ... or that's the end' has an unpleasant menacing edge. The words and the sentiment came from the old Elvis song 'Baby, Let's Play House'. There was a line on it; I used to like specific lines from...

The Beatles cheerfully sang 'Roll Over Beethoven' in their pre-fame stage show. The Chuck Berry anthem also appears on their second album. But if Ludwig was not safely out of copyright, his legal team would most likely have a solid royalties claim. In one of his last interviews, John Lennon revealed how the great German composer provided direct inspiration: I was lying on the sofa in our house, listening to Yoko play Beethoven's - Moonlight Sonata, on the piano. Suddenly I said, 'can you play those chords backwards'. The Beatles version retains the key and key change, plus the pattern of arpeggios. Lennon also added some bass notes and of course and a lyric which he claimed was ' clear, no bullshit, no imagery, no obscure references.' You won't find that kind of language in Fidelio but there is arguably a similarity of intent across the centuries. .

John Lennon teases clue seekers and his bandmate  Written days after the death of Brian Epstein, the lyrics of 'I am the Walrus' have confused everyone, including their author - read full story here In his 1971  Rolling Stone  interview, Lennon tries to explain the McCartney reference in Glass Onion:  Here's another clue for you all. The Walrus was Paul.  Is Lennon teasing his bandmate? Or having a pop at the rapidly growing army of conspiracy theorists? Interestingly, Glass Onion was a genuine collaboration between John and Paul. The theme (an attack on the 'pseuds' over-interpreting Beatles' lyrics) sounds typical of Lennon but in fact came from McCartney. Their relationship was fraying but here they come together in a howl of complaint about how Beatles' lyrics were avidly scoured for hidden messages.   Ian Macdonald disapproves. He suggests that the 'sour A minor melody' and snarling tone of the song express the intent of they lyric" - a ...

On 29 September, I967, John Lennon worked with George Martin and the Abbey Road sound engineers on a potential new Beatles single.

Warning! Not exactly to scale This is surprisingly controversial question. The Beatles fan club and other 'official' sources stated  that Lennon, McCartney and Harrison as the same height: 5'11" (180cm) with Ringo Starr 5'8" (172cm) Early publicity photos emphasise a certain height uniformity. This harmonised with the identical suits and ‘Beatle’ hair styles. It was as if you could walk over their heads without breaking step. Late 60s photos tended to emphasise individual difference rather than collective branding. They revealed that Paul was/is fractionally taller than John, who in turn had the slightest of edges over George. Ringo was/is closer to  5'6"  (168cm) Great Hoax? A belief that the real (small) Paul was replaced by a taller 'fake Paul' or Faul is a key component of the (bonkers)  'Paul is Dead' conspiracy theory .   'Evidence' of an alleged height disparity  McCartney brazenly maintains that he is still very mu...