Beatles FAQ

The 'Paul is Dead' rumour began in early 1967. The Abbey Road cover photo provided new 'clues.' 

  The most famous photo in the history of pop music was what artists call a 'happy accident'. 

Until 1968 wives and girlfriends stayed away from Abbey Road during business hours. This unwritten rule  was unilaterally abandoned by John. The new arrangement was to have “Yoko literally in the middle of the recording session...sitting on the amps" as Paul later put it.

 John Lennon was later embarrassed about the source of one of his contributions to the Abbey Road medley. It was based on a newspaper story he read early in 1967.

The Beatles cheerfully sang 'Roll Over Beethoven' in their pre-fame stage show. The Chuck Berry anthem also appears on their second album. But if Ludwig was not safely out of copyright, his legal team would most likely have a solid royalties claim. In one of his last interviews, John Lennon revealed how the great German composer provided direct inspiration: I was lying on the sofa in our house, listening to Yoko play Beethoven's - Moonlight Sonata, on the piano. Suddenly I said, 'can you play those chords backwards'. The Beatles version retains the key and key change, plus the pattern of arpeggios. Lennon also added some bass notes and of course and a lyric which he claimed was ' clear, no bullshit, no imagery, no obscure references.' You won't find that kind of language in Fidelio but there is arguably a similarity of intent across the centuries. .

The George Martin who the Beatles first met in 1962 presented as Professor Higgins to their Eliza Doolittle. With his smart suit, upper class (southern) accent and courtly manners he appeared to be what Brian Epstein described as “a stern but fair-minded schoolmaster”.  Martin's initial hesitation was due to their personal presentation as much as their musical shortcomings he wasn’t sure about .... shaggy hair, Liverpool accents .... their beat-up gear .... {their}studio professionalism ... source According to Womack, this may have been rooted in his own ‘hidden’ background. For while The Beatles cheerfully conceded what Mark Lewisohn describes as 'their unvarnished working class roots', Martin carefully concealed his.  According to Kenneth Womack's biography,  Maximum Volume  (2017), the suave, sharply dressed producer came from  ' a family that had no electricity or running water and had one gas jet.' George Martin - the early years (3 minute free read) T

Despite their local success in Liverpool and Hamburg — and Brian Epstein’s best efforts — The Beatles struggled to get their first recording deal. Columbia, HMV, Pye, Philips, and Oriole all turned them down. Dick Rowe at Decca signed Brian Poole and the Tremeloes in preference, famously added insult to injury ‘Guitar groups are on the way out, Mr Epstein’. After the failure of the Decca audition, Brian Epstein was running out of options. Early in 1962 he managed to get a meeting with George Martin, the manager of Parlaphone Records, an eclectic label owned by EMI. Martin was more charmed by the Beatles manager than their music. “I wasn’t too impressed with the tape Brian Epstein had played me,” Martin  told Desert Island Discs in 1996 . “There was something there but I couldn’t find out whether it was worthwhile or not.” Read full story here   5 minute free read

The Beatles collect their MBEs - contrary to myth they were  thrilled to get them Paul McCartney has often expressed his admiration for Queen Elizabeth, who came to power five years before he joined The Quarrymen.  We all kind of liked the Queen. It’s an age thing. We were kids when she was crowned, so to us she was like a glamorous film star. We identified with her. She’s ours. She’s the Queen.   Interview with the Radio Times, September 2019 The Beatles with Princess Margaret. The four Beatles tracks which mention the late Queen Elizabeth II are:  Penny Lane For You Blue Mean Mr Mustard Her Majesty Read more  (free) Free Beatles Teaching Materials

The original pressing was a song short

Photo by Annie Spratt on Unsplash   This ghastly miscalculation ... represents by far {McCartney's} worst lapse of taste under the auspices of The Beatles.    Ian MacDonald The Revolution in the Head Maxwell’s Silver Hammer belongs to a very niche musical tradition: the cheerful murder sing-along. There is also speculation that the lyric was influenced by the murder of Joe Orton, who spent an evening with McCartney some months before his death.  Read More

Photo by  Daniel Cheung  on  Unsplash ‘I hate it!’ John Lennon. ‘The worst session ever’ Ringo Starr “If any single recording shows why The Beatles broke up, it’s ‘Maxwell’s Silver Hammer’.” Ian MacDonald The Revolution in the Head  “They got annoyed because Maxwell’s Silver Hammer took three days to record. Big deal.” Paul McCartney.   Read More What inspired Maxwell's Silver Hammer? 

Photo by  Serena Repice Lentini  on  Unsplash I'd like to be under the sea In an octopus's garden in the shade Abbey Road was not a happy working environment during the recording sessions for The White Album. Ringo, the least involved in the squabbling and backbiting, suffered the most from the emotional fall out: I couldn't take it any more. There was no magic and the relationships were terrible. I'd come to a bad spot in life. It could have been paranoia, but I just didn't feel good – I felt like an outsider. Ringo, Anthology Things came to a head during  a recording session for  Back in the USSR on the 22nd of August, 1968. The precise trigger point is unknown but at some point Ringo snapped. After telling John and Paul he was leaving the group, he walked out of the studio. At first, Ringo's departure seemed to confirm the underlying reason for it. The others assumed that their drummer's 'resignation' was not seriously intended. The

There is no published photo of the Queen with The Beatles, only with her mother and sister (seen here) T he shortest Beatles song   is only 23 seconds long and was unlisted on its original vinyl release. 

So here’s another clue for you all/The Walrus was Paul The Beatles  Glass Onion  (The White Album) There were conspiracy theories long before the internet. The Beatles, with their unprecedented fame and influence on popular culture, were particularly prone to them. Perhaps the most notorious began on   the night of January 7, 1967, when  ‘a rumour swept London that Paul McCartney had been killed in a car crash on the M1’. - read the full story here. On 12 October, 1969 a bizarre on-air phone call to Detroit radio station gave new life (!) to the controversy. A caller, identified only as ‘Tom’, had some startling new information. He revealed that The Beatles had been sending secret messages through their recorded songs. ‘Play ‘Revolution 9’ backwards,’ he said mysteriously. ‘And you’ll hear what I mean!’ The DJ duly spun the disk (backwards). After somehow deciphering discordant wailing, he pronounced judgement. ‘Wow! John is saying “dead man!” He’s trying to tell us that

In June 1966 the great Indian musician Ravi Shankar visited George Harrison at his Surrey home - and played for the assembled Beatles. Two months later they recorded George's composition I WANT TO TELL YOU.  Harrison later explained that the song expressed 'an avalanche of thoughts that are so hard to write down or say' and Ian Macdonald spots the 'underlying Hindi outlook in the lyric - a karmic reference to time in the final lines ... confirmed by a descending melisma in the fade out'.  Neil Innes - who later collaborated with George Harrison on the celebrated Beatles spoof mockumentary  The Rutles   - happened to be in Abbey Road Studio as they were recording. He tells the story here: